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Learn to walk
Five method books for jazz bass, from reading the bass clef to walking Stella by Starlight, and a book of scales and modes for any bass player.
One idea a chapter. You play along with a band in the app; it listens through your mic and marks what you play. Then it takes the page away, plays the changes, and marks the line you walk yourself.
- Root
- 3rd
- 5th
- Approach
Six books, one path
Each book has one goal and builds a chapter at a time. Start where you are; the app keeps your place in each.
- New to reading bass clefStart with Foundations, chapter 1.
- You know the neck and want to walkStart The Bass Book, chapter 1.
- Whichever you startRun Ears beside it: a few minutes a day.
- Any style, any levelScales and Modes stands on its own.
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22 chapters
Foundations
Before the method
Reading bass clef, the neck to the 12th fret, rhythm from whole notes to swing, keys, chords and song form: everything The Bass Book assumes.
Ends with you reading a lead sheet and finding your way round its form.
Contents
Part 1: The neck and the page
- 1The open strings and the bass clef
- 2The natural notes to the 5th fret
- 3Sharps, flats and the neck to the 12th fret
- 4One finger per fret: positions
Part 2: Time
- 5The beat: wholes, halves, quarters and rests
- 6Eighth notes and the "and"
- 7Dots, ties and the push
- 8Sixteenth notes
- 9Triplets and swing
- 10The pocket
Part 3: Keys and scales
- 11The major scale and its degrees
- 12Key signatures and the cycle of 4ths
- 13Intervals as shapes on the neck
- 14Minor keys
- 15Modes: one scale per chord
Part 4: Chords
- 16Triads and slash chords
- 17The chords of a key
- 18Seventh chords and their symbols
Part 5: Form
- 19The 12-bar blues
- 20AABA and rhythm changes
- 21ABAC and forms that aren't 32 bars
- 22Verse, chorus and the roadmap
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20 chapters
Ears
Beside any book
Hear every note as a degree of the key. Find do, sing before you play, then add the chromatic notes one at a time until you can learn a tune by ear.
Ends with a whole tune learnt by ear, start to finish.
Contents
Part 1: Home
- 1Find do
- 2Do, mi, sol
- 3The leaning notes
- 4Sing, then play
- 5Hold it in your head
Part 2: The bass line
- 6The root of a chord
- 7Root movement
- 8Bass lines by ear
Part 3: Chord colour
- 9Major or minor: the 3rd
- 10The 7th: maj7, 7 and m7
- 11The dark family: m7, m7♭5, dim7
- 12Guide tones by ear
Part 4: The chromatic notes, one at a time
- 13Te (♭7)
- 14Me (♭3)
- 15Le (♭6)
- 16Fi (♯4)
- 17Si and di
- 18Ra (♭2): all twelve
Part 5: Real music
- 19When do moves
- 20A tune by ear, start to finish
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30 chapters
The Bass Book
The method
From seventh-chord shapes to walking jazz standards: the two-feel, seven walking devices, landing beyond the root, and the progressions of the repertoire.
Ends with three choruses of Stella by Starlight with the band, count-in to ending.
Contents
Part 1: Chord tones, cold
Find and hear every tone of the six seventh-chord types anywhere on the neck.
- 1maj7, 7 and m7 as one moving shape
- 2m7♭5 and dim7
- 3Inversions: start a chord from any tone
- 4Guide tones: the 3rds and 7ths
Part 2: The two-feel
Play a two-feel that swings and switch into four when the band does.
- 5Two-feel with chord-tone variety
- 6Ghost notes, drops and skips
- 7Switching from two to four
Part 3: Walking, one device at a time
Walk a blues using seven named devices, and mix them on purpose.
- 8Chord tones only
- 9Scale passing tones
- 10Approach from below
- 11Approach from above
- 12Dominant approach
- 13Enclosures and double chromatics
- 14Contour, register and sequences
- 15Mixing the devices
Part 4: Beyond the root
Land on any chord tone on beat 1 and walk with no roots on downbeats.
- 16The 3rd on the downbeat
- 17The 5th and 7th on the downbeat
- 18The no-root rule
- 19Approach notes into non-root targets
Part 5: ii–V country
Walk the common progressions of the standard repertoire, including two chords per bar.
- 20Two chords in a bar
- 21Major ii–V–Is moving through keys
- 22Minor ii–V–i
- 23Secondary dominants
- 24Turnarounds and rhythm changes
- 25Backdoor and borrowed chords
- 26Static and modal harmony
Part 6: The final exam
Walk 3 choruses of Stella by Starlight with the band, from count-in to ending.
- 27Hearing key centres move
- 28Irregular forms and phrase lengths
- 29Learning a line from a record
- 30Stella by Starlight
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40 chapters
Advanced Bass
After The Bass Book
Every seventh chord in every position on a 4- or 5-string neck, harmony beyond the ii–V, tensions to land on, and your first solo lines.
Ends with walking two choruses and soloing on the third.
Contents
Part 1: The whole neck
- 1Five positions in every key
- 2Dominant and major 7th in the same positions
- 3m7♭5, and the dim7 as a 7♭9
- 4The minor-major 7th
- 5Moving between positions
- 6Walking by position
Part 2: One window, every key
- 7Round the cycle, hand still
- 8ii–V–I without moving
- 9Symmetric chains
- 10A whole tune in one window, and endings
Part 3: Harmony beyond the ii–V
- 11Families and stand-ins
- 12I–vi–ii–V and two chords a bar
- 13Major and minor cadences mixed
- 14All five secondary dominants
- 15Chains of dominants
- 16Tritone substitution
- 17Four dominants a minor 3rd apart
- 18Borrowed chords by degree
- 19Reading a tune by function
Part 4: From arpeggio to solo line
- 20A scale for every chord, and the avoid notes
- 21Two-octave arpeggios as lines
- 22Groups of three, and permutations
- 23Into chord tones from a step above or a half step below
- 24Lines through ii–V–I
- 25First solo chorus
Part 5: Tensions as landing notes
- 26Past the 7th
- 27Landing on 9, 11 and 13
- 28Altered landings
- 29A phrase round a cycle
- 30One note, many jobs
- 31A motif and its variations
Part 6: Rhythm in groups
- 32Scale triads, three against four
- 33Sixteenth cells and every triplet
- 34Displaced walking
- 35Three inside four, four inside three
Part 7: Passing notes
- 36Four-note passing cells
- 37Half-diminished, minor-major and the diminished scales
- 38Walking with bebop passing tones
Part 8: Putting it together
- 39Reading a solo by device
- 40Walk two, solo one
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20 chapters
Bass on Top
Hard-bop walking
The vocabulary of hard-bop walking, one device a chapter: where the line lands, how it gets there, the chromatic descents, the ii–V cells, and the feel.
Ends with standards walked with the same cells in the same places.
Contents
Part 1: Landmarks and approaches
- 1Landmarks: where the line lands on beat 1
- 2Beat 4: from below and from above
- 3The three chromatic climbs
- 4Scale runs, and the 1–3–6–5
Part 2: Chromatic descents
- 5Root down to the 5th, five ways
- 6The line cliché, and the ii falling to the V
- 7Long descents through a ii–V
- 8The valley over a held tonic
Part 3: ii–V vocabulary
- 9The minor ii–V–i cell
- 10Arriving late: enclosing the V
- 11Turnaround cells
Part 4: Rhythm and register
- 12Skips and ghost notes
- 13Triplet rakes and anticipations
- 14The open E and the low drops
- 15Going upstairs, and coming down
- 16Two-feel, and the slow triplet walk
Part 5: Forms
- 17The hard-bop blues
- 18The minor blues formula
- 19Rhythm changes
- 20Standards: the same cells in the same places
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22 chapters
Scales and Modes
For any bass player
What a scale is, every mode of the major scale by its sound, then the pentatonics, the minor scales and the symmetric ones. Each comes with grooves that make its colour obvious and a fretboard that sets two scales side by side, so you see and hear the note that differs.
Ends with choosing a scale for every chord of a tune, chord by chord.
Contents
Part 1: How a scale works
- 1Steps and degrees
- 2The major scale on the neck
- 3Same notes, new home: what a mode is
Part 2: The seven modes
- 4Ionian: the bright home
- 5Dorian: minor with a lift
- 6Phrygian: the dark half step
- 7Lydian: major, floating
- 8Mixolydian: major with grit
- 9Aeolian: plain minor
- 10Locrian, and the modes from bright to dark
Part 3: Pentatonics and the blues
- 11Major pentatonic
- 12Minor pentatonic
- 13The blues scale
Part 4: The minor scales
- 14Melodic minor
- 15Lydian dominant
- 16The altered scale
- 17Locrian ♮2 and the minor ii–V
- 18Harmonic minor
- 19Phrygian dominant
Part 5: Symmetric scales, and choosing
- 20The whole-tone scale
- 21The diminished scales
- 22Which scale for which chord
How a chapter works
Every chapter, in every book, teaches one small idea in the same seven steps, so you always know where you are. You read the idea, hear why it works, sing it, then play it with the band until it stops needing thought.
The idea
One sentence holds the whole device. In Chapter 10 it reads:
On beat 4, play the note one fret below the root of the next chord.
Why it works
What your ear hears, and why the move sounds right, before what to play. A short box of rules follows, the same rules every line in the chapter obeys.
See it
One example drawn on a rosewood neck, each note coloured by what it does in the chord.
Hear and sing
A chord plays, you sing the answer in the gap, then the bass plays it so you can check. The sound gets into your voice before your hands.
Examples
Ten to sixteen short lines that use only this device and what came before, growing from two bars to four-bar phrases. Play each with the band at 60, then 90, then 120.
Etude
One chorus of a real tune with the device in every bar. Chapter 10's is a blues in F, looped so the last note leads back into the first. Then walk it: the band plays the étude's changes with no page, you walk your own line, and the app marks whether you used the chapter.
Keep it
Three lines worth learning by heart, which go into your library to come back right before you'd forget them, and a milestone you can test: walk the etude at 120 without stopping.
A day's practice
Open the app and Today has the plan. Each line is a few minutes; do what you have time for.
- Your chapterThe next step of the chapter you're on, opened at the right place.
- EarsThe Ears book runs beside the main one, a step a day.
- Phrase of the weekOne short phrase, five steps across the week: learn it, move it round the neck, change key, take it faster, use it in a line.
- Walk itWhen you finish a walking chapter's étude, Today asks you to show you can walk its changes without the page.
- Ear trackA few sung reps, started a few chapters before the book needs them.
- Keep itThe lines you've learnt come back after 1, 3, 7, 14 and 30 days, right before you'd forget them. A day with practice in it adds to your streak.
- 10The Bass BookApproach from belowNext: the examples, at 60, then 90, then 120.Continue
- E9EarsMajor or minor: the 3rdNext: sing it.Continue
- V01Phrase of the weekRoot, 3rd, drop to the 5thStep 3 of 5: change keyStart
- 9Walk itScale passing tonesThe étude's changes, no page: passing notes.Start
- 2Keep itTwo lines dueHear it, play it back, from memory.Play
Walk It
The real test of a walking line is the band, the changes and no page. Walk It gives you that, then marks the take like a lesson.
Piano and drums play a tune's changes after a four-click count-in. You walk. The app hears each note, and afterwards marks every bar of the chart: what you played on each beat as 1, 3, 5, 7 of the chord, whether you landed on the changes and led into them, which notes sat outside the chord, how steady your time was, and how the line used the neck.
Then it names the two things most worth working on, with the chapter that teaches each.
- Roots on the changes
- Chord tones only
- Passing notes
- Lead into every chord
- Minor blues
- ii–V–Is
- The 3rd on the downbeat
- Two chords in a bar
- Through the keys
- Not always the root
- Rhythm changes
- Moving key centres
- Stella by Starlight
Or walk any of 31 standards' changes in any key. Tempo starts a little under your goal and follows you up. Chord changes only: no melodies.
- F71235
- B♭7135♯4
- F7135♭7
- F76533
- B♭71235
- B°7♭9♭3♭5°7
- F7356♭7
- D7135♭7
- Time84%
- Landing88%
- Leading in64%
- Clean notes90%
- Shape72%
7 of 11 changes were led into. On the beat before a new chord, play a note a half step above or below where you'll land, or the 5th of the new chord. Read: Approach from below (chapter 10).
It listens
Press Play it back and play the line on your bass. The app hears each note as you play it, in real time, and marks the page.
A tick goes over each right note. A wrong note gets a red pencil ring, with the note you played written beside it. A note in a different octave still counts.
- Any inputPlug into an audio interface, use an instrument cable, or play into the built-in mic.
- Tempo that follows youLines start a little under the tempo you chose, step up after a take you get right and drop back after a miss, settling where about four takes in five come out right: the zone where practice teaches most.
- Any instrumentNote detection is tuned for bass, guitar and voice, so the ear drills work for whatever you play. A MIDI keyboard works too.
4 of 5 right. Bar 1, beat 3: you played G; the 5th is F.
The ear track
Sing it first. If you can sing where a line is going, your hands can find it.
Alongside The Bass Book runs a short list of ten ear skills. Each one starts a few chapters before the book needs it, so by the time a chapter asks you to land on the 3rd, you already hear where the 3rd is.
Each skill opens a drill in the app, and a few minutes a day is enough. Some chapters add a rep of their own for the week you spend on them.
Scale degrees in a key, sung
Start by chapter 1 used in chapter 9
Seventh-chord qualities, sung as arpeggios
Start by chapter 1 used in chapter 1
Root movement, sung
Start by chapter 1 used in chapters 5 and 12
3rds and 7ths inside a chord
Start by chapter 1 used in chapters 4, 16, 17 and 18
Swing feel and syncopation
Start by chapter 3 used in chapters 6 and 7
Short walking cells, call and response
Start by chapter 6 used in chapters 8, 14 and 19
ii–V–I by function, major and minor
Start by chapter 15 used in chapter 21
Two chords per bar
Start by chapter 17 used in chapters 20 and 24
Chromatic colours: ♭7, ♭3, ♭5, ♭2, ♭6
Start by chapter 19 used in chapters 22 and 25
Key centres moving
Start by chapter 23 used in chapter 27
The rest of the app
The books are the path. Around them sits everything they draw on.
Ear
Ear to Hand: chords from no key, one after another. Find what fits by ear, with no names; the app hears where each note lands and keeps the harmony at the edge of what you can do. Then the drills, for any instrument or voice.
Interval ID · Chord ID · Find the Root · Find Do · NoteQuest · Chord Progressions · Harmonic Bricks · Melody Match · Ear Ladders · Sight Singing
Play it back
Walk It, and the drills that put lines under your fingers over the changes, in every key.
Walk It · Know Your Notes · Phrase Master · Playing the Changes · Echo Play · Bassline Builder · Tune Learner
Read and rhythm
A rhythm reading course in sixteen units, and endless reading in bass clef.
Rhythm Master · Sight-Reading Studio · Key Master · Taking Notes · Rhythm Recall
Library
The lines you keep from the books, your own licks and the phrases of the week, brought back before you forget them, and a shelf of jazz standards' changes to play along with.
Tools
Transcription Helper: loop a passage of a recording, slow it down, and have the bass line written out as notation and tab, with the chords.
Tuner · Transcription Helper · Practice journal · History · Custom sessions
Start where you are
It's free, with no signup. The app runs in your browser, and you can install it on your phone. Sign in later if you want your progress on every device.